Off-the-Wall Musicians Play June 22, 7pm


The Swing and the Wall @ Comfort Station 2579 N Milwaukee Ave.

Deadbeat | Barbaric | Richard Album and the Singles

Southside Hub of Production asked me to create a sculptural backdrop for events and performances throughout June inside Logan Square’s “Comfort Station.”  The completed work– a free-standing curved wall made of desks from closed CPS schools–stands next to a porch-style swing (also made of CPS desks) created by John Preus.  We call the installation “The Swing and the Wall.”
Please join us on Sunday, June 22nd for a performance of experimental music reverberating off this soundstage.  Acts were handpicked from Logan Square’s underground music scene based on merits of playfulness and experimentation.


The Swing and the Wall

SHoP & I am 9 invite you to an opening reception at Comfort Station in Logan Square…

The Wall 
The Swing and The Wall 
Curated by Thea Liberty Nichols.
Saturday, June 7th, 6pm to 8pm 
2579 N. Milwaukee Ave
Join us at the opening for a frightening reading of statistics over ambient music by John Preus.
A temporary stage set made from discarded Chicago Public School desks and
chairs, prototyping an everyday free theater, housed in the cozy space of the Comfort Station.
We are proclaiming four Sundays in June from 12pm to 9pm for creative idleness
and pleasurable learning inviting everyone to participate in both a programmed and drop-in way.  For a full schedule of events see our Facebook event.
Envisioning new autonomous learning, Rethinking school, Reimagining Chicago
The Swing, created by John Preus and The Wall, created by Kevin Reiswig 
with a mind map by Jim Duignan, and contributions by Jerry Marciniack, 
North Branch Projects, Sammuel Petrichos of Spice!, Eleanor Ray,
Clive Tanaka, Kate Hadley Williams, David Yontz, You, and many more to come!
Drop by or contact to get involved.

The Beast by John Preus

The Beast is a large-scale installation by my friend and oft-collaborator John Preus.  I am proud to have assisted in bringing his vision to fruition.  I hope you will visit HPAC and traverse its cavernous bowels, in which I have collaborative works on display (skinned leather upholstry stretched like pelts on wooden frames).  On may 3 (3:00-4:30pm), I will be joining the house band New Material for a performance.

More information and a calendar of programs below:

BeastRendering“Intertwining spectacle and site, John Preus’ The Beast, becomes a new space for cultural inquiry, public dialogue and creative production within the Hyde Park Art Center. Preus will transform the main gallery’s interior with a complex architectural framework inspired by the form of a dead steer emblematic of violence and sacrifice, fabricating the structure from harvested materials including upholstery leather and discarded wood and furniture from recently closed Chicago Public Schools. Existing as an type of community center throughout the span of the exhibition, The Beast will be activated through corresponding performances, discussions and educational offerings programmed by the artist and collaborators. An updated calendar of events is provided.  The belly of The Beast includes storytelling, live music, sermons, panel discussions, dinners, and more to explore the use and social value of public space, and how collective experience can encourage the development of a better city.”

…read more and view event calendar

Tac’s “Be Seated” Design Competition Winner

I refurbished a stool for Tac’s Lounge as part of their design competition “Be Seated.”  All the submissions were by super talented friends and colleagues of mine.  Much respect to Tadd Cowen, Troy Chebs, Chet Moye and co-winner Agnieszka Kulon!  Thanks to Norman Teague for hosting the event, Tac’s Lounge, and all the judges for your support.


“Form Follows Function, off a short pier”

HOME Gallery, Saturday – July 20th, 6-10pm

I get asked many questions regarding the circumstances of my artistic creations: “Who inspired you?” “Where are you from?” “What are you interested in?”, etc. etc.  An answer to any of these questions would be multi-faceted, would require many pages of text, and I would have to open my mouth to talk much more than I’d like to..  However, I’ve noticed there are things in my home which would give a curious observer clues into the motivations and obstacles of my life, telling a story without words: the accumulations and processes of my studio, the adornments of my bedroom, or the books I have read.

On Saturday, July 20th, please visit my installation at HOME Gallery, in which I intend to describe my self and my work through a collage of objects and images.  In the spirit of reflection, I hope to offer many (but certainly not all) answers to the one question which has haunted me my entire life: Why did I make that?…

[Also showing: John Preus and Marissa Lee Benedict]

Studio Visit

A few weeks ago, I invited Maureen Sill (a friend and talented photographer) to bring her camera over to my studio.  Thanks Maureen!  Here are a few resulting photographs from her visit:

Update from the Ranch

The steam chamber

I am officially halfway through my ten-week residency at Anderson Ranch Arts Center in Snowmass Village, CO., so I thought it would be a good time to share a little bit of what I’ve been up to.  One intention I had for this residency was to return to a body of work that I have put on hold for a couple of years–I really wanted to continue steam bending.

The process interests me as an act of energy transference.  When I bend heated wood, I actually manipulate the cellular structure of the material.  A nerve impulse from my brain tells the muscle fibers in my arm to contract, moving the fibers of the wood over one another.  The energy of my body blends into the material.  The material reacts, remembers.  A bent piece of wood is a relic of this exchange.

bent ash

bent ash

One bent piece might be enough for me to convey this idea, but bending multiple pieces makes the process a ritual.  Steam bending is a time-sensitive task; the wood is exposed to steam for one hour per inch of thickness, and then there are only a couple of minutes to get the wood into its new form before it cools and hardens.  For this to happen smoothly, I need to use the clock as a tool, and be there at the ideal moment… every time.

This ritual adds a character of its own to the documented exchange of energy in each bent piece of wood.  A piece comprised of more than eighty pieces of bent ash lumber—tapered and joined together into a single entity—contains a rich history:  A tree dies and falls in a storm, is recognized by a craftsman who becomes its caretaker, is taken to a one-man mill to be thoughtfully cut into ideal sections for building, is air-dried on the caretaker’s property, is sought after by a neighbor (a maker) with whom it shares a friendly exchange of energy—piece, after piece, after piece.

Now for the next chapter, in which I show you the result of this exchange…



Meaningful Materials

selecting boards

While in Ohio for the holidays, I stopped by my friend Jack Esslinger’s house to pick up some wood for my upcoming residency at Anderson Ranch.  He had quite a bit of white oak and ash (both excellent species for steam bending), milled from local trees.  Jack isn’t in the business of selling his lumber, but he was nice enough to let me purchase some boards that might not have been as useful to him for his own projects.  He’s an exceptional craftsman, and is someone who has inspired me to do what I do.  In fact, the majority of steam bent sculptures I have done thusfar have been made with white oak from his property.  We had to pull the wood on toboggans through about eight inches of freshly fallen snow to get it up to the house, where our truck was parked.

we tried bringing the truck down the hill, but it was too slick..

The wood is perfect for me.  It is quarter-sawn, which provides me with the long, straight grain figure needed to achieve strong bends with minimal breakage.  Jack also air dries the wood himself, storing the stickered piles in the fields surrounding his house.  Air drying the wood means it will retain a higher moisture content than it would if it were kiln dried (today’s industry standard).  A higher moisture content means that heat energy will be transferred more thoroughly throughout the board during the steaming process, resulting in more successful bends.

I love working with materials I can relate to.  The fact that every aspect of this material is local to my Ohio home—grown, felled, milled, dried/stored, and bought from a friend—makes it ever more meaningful for me when I set my hands upon it.  The vivacity of the lumber reflects its Ohio roots, and the sensitivity of its caretaker, Jack.  These are qualities I can know and touch.  These are qualities I hope to maintain in the finished work.

New Site

Welcome to my new website!  It’s been about two years since I’ve made an update–so it’s about time…

Many many thanks to my brother, Jaymz, who has helped me all along as my web administrator.  My previous website was of his own design.  He is a true craftsman of code, and I really admire the supreme care he puts into his work and family life.  Thanks for being there to help, brother.  Hopefully with this new platform I can be more independent, stop bugging you about updates, and let you focus on your work, your wife, and my beautiful nephew.

Here are some things to look for on my new site:

Please remember to stop by frequently, as I will be posting new items more often.  Thank you all for your continued support of my work.

-kevin reiswig